I agree with the Dan Briggs sentiment.Dan Briggs is the reason I picked up bass in the first place
I play a 5 string version of this (Laguna Ocean TB75, can't show mine exactly since it's not in NY right now)
I also have an LTD TA200 (the Tom Araya one) and had an Ocean acoustic bass that I recently sold for Evo money lol
I'm all about finger picking. I know a lot of metal bassists will go pick but it's like blasphemy to me unless it's needed for certain techniques.
It's true, there are very few pickstyle bassists I would call great and most had their own distinct style. Pick is very limiting and you can get a similar sound slapping and popping. I guess in like post-rock/indie/punk you kinda need that grit and most of them are just playing a few notes anyways so it works better.I'm all about finger picking. I know a lot of metal bassists will go pick but it's like blasphemy to me unless it's needed for certain techniques.
Oh, I wish brother, that's the bass of my dreams! lol ...oh , I thought it was this:
The only good reason for using a pick is to get a sharper tone, slapping and popping kind of gives a similar one but it still isnt the same(not to mention slapping and popping is hard as balls).It's true, there are very few pickstyle bassists I would call great and most had their own distinct style. Pick is very limiting and you can get a similar sound slapping and popping. I guess in like post-rock/indie/punk you kinda need that grit and most of them are just playing a few notes anyways so it works better.
Also yeah Dan Briggs is godlike
That's interesting, I don't know if it'd be worth it for me though. I usually 3-finger pick for those things and it's worked out fine so far.I agree with the Dan Briggs sentiment.
Ive been working on the Bryan Beller technique for fast playing(around 1:50):
If you already three finger pick it wouldnt be much use but ive found this much easier to learn than 3 finger picking.That's interesting, I don't know if it'd be worth it for me though. I usually 3-finger pick for those things and it's worked out fine so far.
I've tried playing Mother Man so many time but I just can't get it down.Also my two favorite songs to just play to whenever I'm bored. Worth learning if you like cool stuff that probably sounds harder than it is:
This is the latest song I've learned, I already know how to play half this album because I love the bass in it so much lol.Anyone want to share songs they like to play recently? These for me:
I've seen that technique used by a local bassist to try and emulate a tremolo picked tone during a song.I agree with the Dan Briggs sentiment.
Ive been working on the Bryan Beller technique for fast playing(around 1:50):
I hated sweeping on guitar, probably even harder on bass.As far as metal bass playing goes, I think this dude is at the pinnacle of the technical aspect. Like...sweep arpeggios on 6-string bass fuck that.
Yeah, he has great technique, although he often admits to struggling with groove and whatnot. His stuff in Spawn of Possession is Amazing.As far as metal bass playing goes, I think this dude is at the pinnacle of the technical aspect. Like...sweep arpeggios on 6-string bass fuck that.
I never thought of sweeping with just one finger going up. Still probably couldnt do it, but thats interesting.Yeah, he has great technique, although he often admits to struggling with groove and whatnot. His stuff in Spawn of Possession is Amazing.
Also, just for pure technique, Viraemia's bassist is crazy, although annoying to listen to after a while
this is a cover, but I'm posting it because this guy's channel is amazing and he's definitely influenced me some.
What exactly do you mean by that? 3 and 4 finger picking styles can get way faster than you can with a pick, as can certain slap techniques (Like the "double thumb" technique Wooten made popular) and with a lot less effort too. In all honesty the only reasons to use a pick would be either if:Lazy fingerstyle bassists don't wanna speedpick...lol.
Slapping and popping is really only hard if you learned the wrong technique. I know I was having an absurd amount of trouble with it at first because I was holding my hand wrong and essentially making myself work 3x harder than I had to. Once a teacher showed me the proper way to do it, it became fairly easy to do.The only good reason for using a pick is to get a sharper tone, slapping and popping kind of gives a similar one but it still isnt the same(not to mention slapping and popping is hard as balls).
I use both personally but I only use a pick when the song doesnt sound right without it or I want a different sound.
Victor Wooten is god. And I own an SR406 and I'm not sold on it, I hear the BTB series is much better for metal and I plan on saving up for one.
Ive watched some of his videos, pretty good.In all honesty, for anyone who plays bass/wants to learn, I would suggest checking out MarlowDK's youtube channel for low and intermediate level bass tutorials and techniques, and checking out any of the MANY free lessons/exercises/techniques Victor Wooten has put online for anyone who's more advanced.
lol, when I saw you liked my post I thought it was the one I just made about you in the M2Dave thread. Good to see my point stands.I hope the block button returns. And fuck interactables! Wait...where am I?
I would strongly suggest trying out the BTB series (Or any instrument in general) in a shop before buying it. As good as a bass can be, not every bass is made for every style. For example, I know Warwick basses are amazing instruments, but I have yet to find one that sounds right when mixed with my playstyle, and TBH I can make a cheap Ibanez SDGR, Traben or Fender Jazz bass sound better than an expensive Warwick/Gibson/Vox/etc.Victor Wooten is god. And I own an SR406 and I'm not sold on it, I hear the BTB series is much better for metal and I plan on saving up for one.
Ive watched some of his videos, pretty good.
I usually go to Josh Fossgreen, he has some really good tutorials and usually ends them by applying them to a different genre, like so:
Yeah, it's the safe way to go, but unfortunately most music shops are too far away from me/don't carry the brands I'm interested in. (I have yet to find a warwick/spector or even a fretless bass in any of the shops I've been in.) BTB seems to have the specs I like though.I would strongly suggest trying out the BTB series (Or any instrument in general) in a shop before buying it. As good as a bass can be, not every bass is made for every style. For example, I know Warwick basses are amazing instruments, but I have yet to find one that sounds right when mixed with my playstyle, and TBH I can make a cheap Ibanez SDGR, Traben or Fender Jazz bass sound better than an expensive Warwick/Gibson/Vox/etc.
Wow, guess I'm lucky then. My local Guitar Center has a constantly changing stock and for the more expensive basses they apparently ship them in for a few weeks then send them to other stores to get people interested in the brands. About an hour away I also have a shop with more expensive/rare instruments that will specifically order things for you if you show interest in purchasing them.Yeah, it's the safe way to go, but unfortunately most music shops are too far away from me/don't carry the brands I'm interested in. (I have yet to find a warwick/spector or even a fretless bass in any of the shops I've been in.) BTB seems to have the specs I like though.
Funnily enough, I love the tone I get from my Silvertone LB11, which was a cheap starter bass I bought on Amazon for $150 including small amp and accessories, and I think it plays extremely well. It was my first bass and it's needless to say I never tried it before buying. I just wish there was a 5 string version of it with 24 frets.